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From School Library Journal
Gr 9 Up-Ten tales examine unexpected occurrences of magic in everyday lives. Most of the stories appeared in various anthologies published between 2006 and 2011, but they have not been available to American readers until now. Additionally, while this collection was released in Australia in 2011, one story ("Heads") has been swapped for another ("Catastrophic Disruption of the Head") in the U.S. release. Ranging in length from 10 to 34 pages, some of these literary fantasies are wholly original (a boy's mother prepares to ascend to a higher calling, circus oddities find someone else to stare at and speculate about, a shopping mall sheds its parasitic humans) and some are inspired by other tales (Passover and Exodus, Rapunzel, Charon and the River Styx). But in all of Lanagan's worlds, the familiar becomes unfamiliar and then wondrous. Each story is tightly crafted, dropping readers into a culture without much preface, letting the events spin out and the characters be forever changed, and leaving those turning the pages haunted afterward. Less-sophisticated readers might be frustrated by the density of these selections and their focus on character rather than plot, but for those willing to invest, the payoff is powerful. This is meaty fare, layered with meaning and thick with a richness of imagination. Yellowcake is as much about the telling as it is about the tales.-Gretchen Kolderup, New York Public Libraryα(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
From Booklist
Returning to the fertile format of Black Juice (2005), White Time (2006), and Red Spikes (2007), Lanagan’s latest collection is as lovely, enigmatic, and eye-opening as you’d expect, with each story dropping readers into deep waters from which they must paddle and orient themselves. The astonishing standout, “An Honest Day’s Work,” tells of a hobbled boy allowed to join men in “a meat job”—the skinning, sawing, and carving up of a giant humanoid lugged in from the sea. Reminiscent of something out of China Miéville’s Railsea (2012), it is gruesome and heart pounding and begs for novel expansion. (Well, we can hope, right?) Elsewhere is the Bradburian tale of a too-powerful kid psychic, the grim story of a vindictive “fascinator,” and a sorrowful look at the daughter of a Styx ferryman. Rhythms are highly unusual; often the tricksy prose feels as if it’s been translated into an alien tongue and back again, and, yes, some will balk at the heavy lifting required to make sense of some of it. For those who love paying close attention, of course, this pays off handsomely. HIGH-DEMAND BACKSTORY: Lanagan’s literary chops are nearly unrivaled in YA lit, and any release from her will draw excitement, scrutiny, and awards consideration. Grades 9-12, --Daniel Kraus
Review
Starred Review, Publishers Weekly, February 25, 2013:
“Haunting, gorgeous, and sometimes painful, Lanagan’s stories are unlike anything else in fantasy literature.”
Starred Review, Kirkus Reviews, April 1, 2013:
"Lanagan unravels familiar myths and fairy tales, weaving them into unique, sharply resonant forms in this characteristically stunning collection...Familiar roots and accessible themes make this strong collection a good introduction to Lanagan’s mind-bending work."
Booklist, February 15, 2013:
"Lanagan's literary chops are nearly unrivaled in YA lit, and any release from her will draw excitement, scrutiny, and awards consideration."
The Horn Book, May/June 2013:
"These imaginative works demand much of their readers, occasionally providing catharsis and unfailingly provoking thought and discussion."
School Library Journal, April 2013:
"This is meaty fare, layered with meaning and thick with a richness of imagination. Yellowcake is as much about the telling as it is about the tales."
The Bulletin of the Center for Children's Books, June 2013:
"The familiarity of the stories and themes provide an access point to Lanagan’s innovative sentence structure and dense, eloquent prose, while the emotional rawness of the tales, focusing intensely on loss and disillusionment, is powerful enough to grab even less sophisticated readers. The opening dialogues of each story serve as both an invitation and a disorientation, and by the end of the collection, readers will have the satisfying feeling that they have just assembled a strange and wondrous puzzle."
VOYA
"Exquisite. Lanagan's prose is challenging and rewarding in equal measure, creating resonances that most writers can only dream of; and her characters and situations seethe with emotional power."
Library Media Connection:
"Lanagan, master of the strange, disturbing, and familiar has again written a collection of stories which will entertain, enthrall, and challenge readers."
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